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Westside Gunn’s Hitler Wears Hermes 10 (or simply 10 ) isn't just an album; it’s a victory lap for the curator-in-chief of Griselda Records. Serving as the grand finale to his decade-long series, the project captures the essence of Buffalo’s finest: high-art luxury meeting the grit of the gutter. The Masterpiece of Griselda Curation: A Look at '10' ALBUM: Westside Gunn – Hitler Wears Hermes 10 [...
The production on 10 is a masterclass in atmosphere. From the haunting, stripped-back loops of The Alchemist and Daringer to the unexpected, high-energy surge of Swizz Beatz on "Science Class," the album feels like a curated gallery walk. It balances the "drumless" soulful sophistication that Gunn popularized with moments of pure, unfiltered boom-bap aggression. Should we pivot this draft to focus more
Westside Gunn himself remains the ultimate master of ceremonies. While he may not technicality-outrap his guests, his ad-libs, charismatic delivery, and sheer presence tie the project together. Whether he’s rapping about shooting out of a Maybach or the fine textures of a Celine jacket, he makes the listener feel like they are front row at a Paris fashion show that’s being held in a crack house. From the haunting, stripped-back loops of The Alchemist
10 is a rare finale that actually feels like a climax. It’s a celebratory, bloated, beautiful, and grimey conclusion to a series that changed the landscape of independent rap. It cements Westside Gunn not just as a rapper, but as one of the most important visionaries in modern music.