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Multi Year Finance available for UK Customers
Matthew Baynham
“The ease of pushing, turning and transferring into my car with such a light wheelchair was a breath of fresh air.”
4kg*. That’s a newborn baby. A 7 week old Labrador puppy. Your Tiga Sub4. By making 72 minute but fundamental changes to the Tiga, alterations that many would simply neglect to notice, we have made an obscenely alluring, pioneering lightweight wheelchair that is as rigid and stable as it is lightweight. Transferring, propelling, lifting, turning… All effortless with your Tiga Sub4.
*excluding wheels, cushion and any non-certified options.
By embracing marginal gains technology, the Tiga Sub4 has been created as an unparalleled ultra-lightweight wheelchair. A completely unique Sub4 upholstery, shortened axle and pin setup, specially designed froglegs super light castors and corrosion resistant titanium fasteners, the Tiga Sub4 is as smart as it is beautiful.
Only the best materials are used in your Tiga Sub4. Aluminium is famous for its strength, durability and is synonymous with lightness. The utmost best performance of your chair is ensured by only using elements produced by market leaders, alongside a staggering 19 quality checks throughout the build, from measure to handover.
Download the full Tiga Sub 4 user manual here
Do you need help with funding your RGK chair?
There are a few different ways in which you can try to get funding for your wheelchair. These choices include NHS Wheelchair Services, Access to Work and charities.
One rainy Tuesday, a young traveler named Elena walked into The Prism. Elena was at the start of her transition and felt like a ghost in her own life, caught between who she was told to be and the woman she saw in her dreams.
Maya had traveled from the mountains of Nepal to the bustling streets of Sao Paulo, collecting stories like others collected postcards. She realized that while the world often tried to fit women like her into a single, narrow box, their reality was a vast, interconnected map. all world shemale
Over the next few months, Elena stopped hiding. She began to contribute her own art to the space—digital sketches that blended her heritage with her new identity. She realized that her transition wasn't a departure from the world, but a deeper entry into it. One rainy Tuesday, a young traveler named Elena
As Elena touched a screen, a video played of a Hijra community in India celebrating a birth, their laughter echoing through the room. Another panel showed a tech executive in Tokyo, sharp and poised, discussing the future of AI. Beside it was a portrait of a Tahitian Mahu , draped in flowers, representing a sacred third gender that had existed for centuries. She realized that while the world often tried
Maya led her to the "Global Wall," a floor-to-ceiling installation of digital screens and physical artifacts. "You aren't a solo act, Elena," Maya whispered. "You are part of a global symphony."
In the heart of a city that never truly slept, there was a sanctuary known as "The Prism." It wasn’t just a club or a gallery; it was a living, breathing archive of the "All-World" spirit—a term coined by its founder, Maya, to describe the boundless spectrum of the trans-feminine experience.
Units 8a/b/c Ring Road, Zone 2, Burntwood Business Park, Burntwood, Staffordshire, WS7 3JQ UK.
Part of the Sunrise Medical Group
Company No: 4685517 © RGK Wheelchairs 2024
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