Amore E Rabbia (1969) | POPULAR |

It stands as a rare time-capsule where the "Big Three" of Italian cinema (Pasolini, Bertolucci, Bellocchio) worked alongside the leader of the French New Wave (Godard).

Directed by Marco Bellocchio , this segment features a classroom debate that descends into chaos, mocking the rigid structures of both authority and radical student movements. Amore e rabbia (1969)

The film was entered into the 19th Berlin International Film Festival. It stands as a rare time-capsule where the

Amore e rabbia (1969), translated as Love and Anger, is a landmark anthology film that captures the turbulent political and artistic spirit of the late 1960s. It features five segments directed by some of the most influential figures in European cinema, originally conceived as a commentary on the "Gospel" but evolved into a critique of contemporary morality, violence, and revolution. The Directors and Segments Amore e rabbia (1969), translated as Love and

Though originally titled Evangelio '70 , the directors used biblical themes primarily to critique the Catholic Church's role in modern society.

It is often cited as a difficult watch for mainstream audiences but remains essential for students of 1960s counter-culture cinema.