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Enter The Dragon May 2026
: The film uses "Eastern conventions" for morality, such as the color of clothing during the final battle (white gi for minions vs. black robes for freed prisoners). Iconic Scenes and Techniques
: Beyond the mission, Lee has a personal motive for revenge—Han's bodyguard was responsible for the death of Lee’s sister. Enter the Dragon
The 1973 film Enter the Dragon is considered the gold standard for martial arts cinema. This guide outlines its core structure and the writing techniques that made it a global phenomenon. : The film uses "Eastern conventions" for morality,
: Lee, a Shaolin martial artist, is recruited by an intelligence agency to investigate Han, a crime lord hosting a tournament on a private island. The 1973 film Enter the Dragon is considered
: An African-American martial artist fleeing police harassment. Key Thematic Elements
The Critical Writing Lesson I Learned from 'Enter the Dragon'
Ïîñëåäíåå îáíîâëåíèå: 11.02.2009 16:34:02
Îòçûâû çðèòåëåé:
Ëþäè ïîäñêàæèòå ïëèçèê êòî ïîåò ïåñåíüêó ïîä êîòîðóþ ðîáåðò õîôìàí òàíöóåò â áàëåòíîì çàëå ïëèçèê ïîäñêàæèòå èëè íà ìûëî èëè òóò áóäó î÷ áëàãîäàðåí !!!)) çàðàíåå ïàñÿá ))
Robert Hoffman ñàìûé- ñàìûé êëàññíûé!!!!!!!
ôèëüì ñóïåð
Ôèëüì óë¸òíûé!!!!!!!! Äàâíî òàêîãî íå ñìîòðåëà:)
ß ïîøëà íà ýòîò ôèëüì â ñàìûé ïîñëåäíèé äåíü. Äóìàëà ÷òî áóäåò îòñòîé! Íî êîãäà ÿ ñèäåëà â êèíî, òî ÿ áûëà â øîêå, òàíöû, ïåñíè, àêòåðû- âñå íà Âûñøåì óðîâíå! È ýòî ñàìûé íîðìàëüíûé ôèëüì 2008 ãîäà. ß îáîæàþ ýòîò ôèëüì!
Ôèëüì ïðîñòî ñóïåð-ïóïåð!Ñîâåòóþ âñåì ïîñìîòðåòü!Ãëàâíûå ãåðîè òîæå îôèãåííûå,îñîáåííî ìîé ëþáèì÷èê Ðîáåðò Õîôôìàí!Îí òàê èãðàåò è + êî âñåìó íåîáû÷íî è êëàñíî òàíöóåò!!!!ß ïåðåñìàòðèâàþ ôèëüì î÷åíü ÷àñòî.
Äà ôèëüì ïðàâäà î÷åíü êëàññíûé!!!, è òî ÷òî ïîìåíÿëèñü àêò¸ðû, ýòî äàæå ïîìîåìó ê ëó÷øåìó, íè÷åãî ïëîõîãî îò ýòîãî íå ñòàëî!!!Êîãäà ôèëüì èä¸ò î÷åíü õî÷åòñÿ ïîâòîðÿòü äâèæåíèÿ, òàíöåâàòü è òàíöåâàòü!!!
Äà êë¸âûé ôèëüì!íî àêò¸ðû ñîâñåì äðóãèå!
Êëåâûé ôèëüì,î÷åíü ýíåðãè÷íûé!Âîîáùå ôèëüìû î òàíöåõ î÷åíü çàâîðàæèâàþò!È õî÷åòñÿ âìåñòå ñ íèìè äâèãàòüñÿ, ëîâèòü ðèòì è âëþáëþòüñÿ, êîíå÷íî!
Âíèìàíèå: åñëè Âû çàìåòèëè êàêèå-íèáóäü íåòî÷íîñòè èëè ó Âàñ åñòü êàêèå-ëèáî äîïîëíåíèÿ î ôèëüìå `Øàã âïåðåä 2: Óëèöû` - òî âàì .
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Ñäåëàòü çàêëàäêó íà ôèëüì `Øàã âïåðåä 2: Óëèöû`
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