The work follows the traditional structure of a mugham dastgah —a large-scale cycle—while utilizing the rich orchestration typical of the late 19th-century Russian school. It is organized into several distinct sections that reflect the emotional and modal progression of the Shur mode:
: Amirov alternates between improvisational sections and strictly measured, rhythmic episodes known as Tesnif (vocal-style songs) and Reng (instrumental dances). FikrЙ™t ЖЏmirov Sur Simfonik Mugami
: A developmental part that intensifies the melodic line. Bayati : A lyrical and often deeply emotional segment. The work follows the traditional structure of a
: The opening theme is famously based on an improvisation by the renowned 19th-century singer Mirzamammad Hasan . FikrЙ™t ЖЏmirov Sur Simfonik Mugami