: One interesting modern interpretation suggests that the "strange love" referenced in the title is actually self-love , reflecting an ambivalence about the "exceptional" society of post-WWII America.
: During filming, Barbara Stanwyck famously warned Van Heflin not to do his "coin-rolling" trick during her lines, threatening to "upstage him" by hiking up her skirt to adjust her garter. subtitle The.Strange.Love.of.Martha.Ivers.1946....
: The film's introduction—featuring a dark, stormy night, a runaway girl, and a brutal act involving a walking stick—is described by some as "melodrama with all the stops pulled out," comparable to the high-stakes intensity of an Italian opera. Performances and Cast Highlights : One interesting modern interpretation suggests that the
: Director Lewis Milestone briefly left the set during production to support a set decorators' strike; Byron Haskin took over direction for several days without receiving screen credit. Performances and Cast Highlights : Director Lewis Milestone
: One interesting modern interpretation suggests that the "strange love" referenced in the title is actually self-love , reflecting an ambivalence about the "exceptional" society of post-WWII America.
: During filming, Barbara Stanwyck famously warned Van Heflin not to do his "coin-rolling" trick during her lines, threatening to "upstage him" by hiking up her skirt to adjust her garter.
: The film's introduction—featuring a dark, stormy night, a runaway girl, and a brutal act involving a walking stick—is described by some as "melodrama with all the stops pulled out," comparable to the high-stakes intensity of an Italian opera. Performances and Cast Highlights
: Director Lewis Milestone briefly left the set during production to support a set decorators' strike; Byron Haskin took over direction for several days without receiving screen credit.
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