In the workshop, "the swing" wasn’t a metaphor. It was the escapement. It was the precise arc of a pendulum that dictated whether a second was a second or a lie. He walked to his workbench, his movements stiff from a winter chill that had settled into his joints. He sat down, pulled the loupe over his eye, and looked into the guts of a 19th-century longcase clock.
Elias had spent forty years getting back into the swing of things.
He adjusted the crutch of the longcase clock, a tiny, forceful bend of the metal. He pushed the pendulum again. Tick. Tick. Tick. Tick. Even. Perfect. The swing was restored.